For Jürgen Budday, his artistic path began primarily through his own love for music. Above all, he wanted to do something that could also satisfy him personally. His becoming process was characterized by a dialectical development process: good mentoring on the one hand and persistence and his own discipline on the other.: „During my studies I got a very solid basis for making music and I am very grateful to all my teachers who brought me to a higher level.
In his life, Wolfgang Ullrich has worked intensively on art and its significance for our society and is able to combine his expertise with compelling analyses of contemporary social phenomena. You could just see a critic in him, but master of reflection is more likely to fit – a quality that he also appreciates with his fellow men.
We talked to him about our present society and how fruitful it is to think business and art together.
“My work is mainly about emotions” answered Hélène Picard, when asked about her inspirations. The French Painter and Sculptor, who studied visual and Fine Arts at Beaux-Arts Paris, materializes in her artworks her way of feeling and perceiving people, atmosphere of an environment, etc. “Whatever I see, I can receive very strongly and deeply […] Even if you see a landscape. For me a landscape represents some inner emotions. It is a way of constructing a bridge between both, the external elements and what we have inside of us”.
“You got to have time in your life when you doubt what you are doing.” One thing that Vanessa Notley did not doubt is the fact that she wanted to be an artist from her early years. For the rest, the Scottish Drawer and Sculptor based in Sètes (Southern France), constantly looks at challenging herself and doubting what she does.
It all started when facing the choice as a teenager to go either to University or Art College.
After a one and a half hour drive by car from Beijing’s city centre to the south the many skyscrapers and blocks begin to clear. The end of the city isn’t reached, but instead another micro cosmos which is not part of the everyday life in the Chinese capital: Abandoned, decayed buildings and curious looks mark the way to the artist Dai Chenlian. His studio lays in this remote part of the city where proper administration by the government doesn’t exist anymore.
Hans-Jörg Rheinberger is a scientific historian. He not only has a humanistic background in sociology, philosophy, and linguistics, but also a life science background in biology and chemistry. Since adolescence, he has been writing poems and essays. From 1997 to 2014, he was director at Berlin’s Max-Planck-Institute for the History of Science.
In his research, Rheinberger mostly occupies himself with the nature of the experiment and experimental systems, a term he coined for configurations which contain uncertainty, unpredictability and the state of not knowing, “One has to look at them as places of emergence, as structures that have arisen from the development of the sciences in order to discover the unimaginable.
SAFI is a musician and eponym of the same-named band; the band’s work can be identified somewhere between punk and poetry. After a graphic design education in Halle and Leipzig, and various jobs in that area, SAFI’s dream to become a full time musician became more urgent and she decided to concentrate on that genre while continuing to work as a graphic designer.
Because of her concerts and meetings with clients far away from her hometown of Berlin, she told us that to “work on the fly” is one part of the creative process.
“I think, that people can learn empathy through dance”, dancer Lucija Mikas said. She began her dance career at the age of eleven at the John Cranko School in Stuttgart and quit her classic ballet education there, after four years of hard training. What she learned during this strict dance lessons, confirms established clichés as she says “Discipline is definitely necessary, because classic ballet is on the same level with ice skating and gymnastics.
Robert D. Austin is an innovation and technology management researcher and professor of Innovation and Information Technology at Ivey Business School in Canada. Together with dramaturg and emeritus professor of theatre Lee Devin he examines business innovation through the lens of art practice. Their two books Artful Making and The Soul of Design explore the striking structural similarities between theatre artistry and production and today’s business projects. For Austin, there is no doubt artistic practices are highly relevant in today’s’ business environment, and particularly “in developed economies because communication and transportation networks have become so usable and inexpensive that it devalues cost-leadership approaches to business.