Download the full interview as a PDF (German only)
“First, every movement emerges as a reaction of the emotional life. Contemporary dance is seen as a physical expression of ideas and emotions,” explains Lucija Mikas during the conversation about the origin of her ideas. “I for example see a fig tree, growing out of a stone. This fig tree reminds me of my rootlessness, because I don’t see his roots. The tree seems loose and not graspable. Other than an olive tree in the garden, where one exactly knows and sees, that he belongs to this garden. Then I put myself in the trees position and can pursue various approaches. I can start with the texture of the tree and feel how the leaves are constituted or how the roots are running. The metaphor can be followed and it can be seen that the tree only has small roots and doesn’t belong there. That I can translate into my life and on my art. Out of this inner feeling I can create movement while I physically transform, what structure the tree possesses. Due to improvisation a certain movement arises as a reaction. Either I define this movement or I let it loose. I can declare the freedom of the structure of a piece, so that it is being completely improvised or that it follows a determined structure with constituted movements.”
Download the full interview as a PDF (German only).
Picture Sources:Florian Hammerich
Interview: Dirk Dobiéy, Transcription: Eugen Buss; Blog: Adina Asbeck, Dirk Dobiéy; Translation: Adina Asbeck, Stephanie Barnes