Salomé Voegelin is a widely interested artist, writer and researcher working in different modalities. Her professional work is mostly engaged in the world sound makes, socio-political and aesthetic thinking via the practice of listening. She is the author of three influential books on sound: The Political Possibility of Sound (2018), Sonic Possible Worlds (2014), and Listening to Noise and Silence (2010). Salomé is a Professor of Sound at the London College of Communication, University of the Arts London.
“My work is mainly about emotions” answered Hélène Picard, when asked about her inspirations. The French Painter and Sculptor, who studied visual and Fine Arts at Beaux-Arts Paris, materializes in her artworks her way of feeling and perceiving people, atmosphere of an environment, etc. “Whatever I see, I can receive very strongly and deeply […] Even if you see a landscape. For me a landscape represents some inner emotions. It is a way of constructing a bridge between both, the external elements and what we have inside of us”.
In one of the most popular art districts in the East of Beijing, photographer Zhang Wei invites me into his stylish studio in a dark backyard. The neighborhood seems central and lively, even though we are at least two hours from the city centre. Zhang Wei has the view of someone who has seen quite a lot of things in life. He speaks quietly and thoughtfully.
On his walls hang world famous people depicted in perfect photographs.
Born in Berlin, Sebastian Heiner studied at the UdK (Universität der Künste) in his home town. Normally he works and lives in Berlin, where he shares an atelier with the artist Jörn Grothkopp. The Berliner told us as well, that his painting is influenced a lot by his temporary employment abroad. Over several years he held ateliers in Beijing, Shanghai and Bangkok. “I think, a lot broke loose inside of me while I was staying abroad.
Jazz musician Wolfgang Schmiedt has worked with numerous artists, and he derives his most important message for non-artistic fields from these joint efforts: “How you can build something based on communication, if you listen to each other, this is a trait you may be able to learn from improvising musicians.”
The stage is a platform for communication in many ways, both with the public and between the active musicians. Wolfgang Schmiedt has come to appreciate exactly this during his stage career: “If that [form of communication -Ed.] can take place, you have achieved a great goal.